Edel Mulcahy: “‘Of swiche cursed stories I sey fy’: Incest and its consequences in Middle English Exempla”

-Incest as one of the last remaining taboos (Game of Thrones as contemporary example)

- Literary depictions of incest in Medieval period referred to as “cursed stories”

- This pape will examine incest in Middle English Exempla

- Incest as widely discussed  topic in Medieval period (contemporary concern amongst church hierarchy over what constituted incest)

- Medieval writers depicted varied accounts of incest

-Exempla did not ignore incest but used as a cautionary tale

- Used topic as means of explore God’s capacity for forgiveness

- Women were often the aggressor (women, like their ancestor Eve, have insatiable appetites)

In contrast to Romance narratives in which an elderly father attempts to seduce his daughter

- “The Life of Secundis” – Secundis returns from study like a pilgrim – when he returns home he decides to test what he has learnt about the “lustful nature” of women by seducing his mother

- He lies in bed with her but doesn’t sleep with – her obliviousness to his identity,  in the context of the story, excuse her behaviour

- Removal of the father in

leads to disorder – again emphasises forgiving nature of God.

 

- “The Tale of the Incestuous Daughter” – focuses on importance of divine figure

- Wanton daughter contrasted with devout mother

- daughter sleeps with her father which leads to her eventual murder of the resultant children

- Father seeks repentance – but daughter blames him and ultimately kills him in a brutal manner

- She thus prevents him from undertaking a penitential pilgrimage and thus receiving forgiveness

- Incest is always followed by murder (usually infanticide or patricide)

- Daughter repents before bishop – demonstrating that no sin is too great for God to forgive

- Stories emphasise the importance of confession ad repentance

- In Romance tales, it is the father whose desire instigates incest

- it usual propels the daughter from her home

- daughter usually confined to home, but incest narrative gives her an incentive to travel and have adventures usually unavailable to a woman at the time

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James Cummins: ‘i have killed poetry: Tom Raworth’s obsession’

Cummins will discuss Raworth as outsider and renegade in relation to British poetry, using the collection ‘Moving’ to discuss Raworth as the most deviant, most non-British of British poets.

Materiality of the book itself – cover image of pansy is from Joe Brainard’s iconic series (American artist). Images within text link Raworth to American artists and poets. Back of collection includes blurb and photo of author next to a roadsign – reflects transnational nature of the text. Title ‘Moving’ also indicates this. Many of poem’s titles also refer to movement and travel – indicates reading of collection as refelction on Raworth’s move from Britan to the US.

Poems divided into four sections which indicate linearity or movement through time, but also foreground interruptions.

Cummins reads Raworth’s poem ‘The Moon Upoon the Waters’, emphasising Raworth’s use of the colon to create interruptions – acts as a solid barrier between sentences, but does not completely differentiate them from each other. Raworth uses colons to emphasise the line, or half-line in this case. Poem highlights ongoing fascination and struggle with the construction of poetry itself, as well as the isolation of both writer and reader. Raworth comments on and analyses his use of words within the poem itself.

Cummins notes that Raworth highlights important connections between his poetry and the American poetic tradition. Raworth acknowledges the American influence on his work in ‘Stag Skull Mounted’. Cummins also draws attention to use of dates and times in this collection – however, this does not indicate such a clear connection between observation, impulse and creation as Raworth would have us believe.

Cummins discusses the problem of how to write about a poem which is already sufficiently concerned with writing itself; how to tease out the threads while maintaining a sense of the poem as an object. Raworth’s concern with language and the nature of poetic construction – his claim to have ‘killed poetry’. Cummins concludes by saying that perhaps Raworth is the renegade, the killer of poetry.

Categories: Live Blogging, Bookends 2012, postgraduate conference, University College Cork, School of English, literature | Tags: , , , , | Leave a comment

Mark Kirwan: “Not the National Inquirer: The Quirks of John Banville and Benjamin Black”

Kirwan will discuss variation in John Banville’s recent work (Benjamin Black novels), the question of genre fiction, and the political content of Banville’s work.

Benjamin Black novels deviate from Banville’s usual style, but distinction between two authorial figures is not clear-cut.

Banville claims to dislike ‘ghettoisation’ of fiction into genre categories – unease reflected in Derrida’s The Law of Genre.

Kirwan discusses genre’s ability to signify the instability of language.

Novels are presented from the start as constructed, as artifice; aware of genre conventions of crime fiction.

Elements overlap between Banville’s style and Black’s e.g. role of newspapers, treatment of the Church.

Newspapers as a mode of writing susceptible to manipulation. Reflects contemporary events in Ireland in relation to Independent News and Media – characters loosely based on Anthony O’Reilly and Denis O’Brien.

Kirwan suggest that Banville (as Black) raises questions about diversity of media ownership and the health of democracy in contemporary Ireland.

References to language’s opacity and instability throughout the Black novels.

Kirwan concludes that generic instability in Black novels indicates postmodern reflection on writing itself.

Categories: Uncategorized, Bookends 2012, postgraduate conference, University College Cork, School of English | Tags: , , , , | Leave a comment

Panel 1: Sex Sells

Miranda Corcoran

“Atomic Age Vampires: Deviant Women and Sexual Containment in Atomic Age Cinema”

The American male must contain female agency, and therefore female sexuality.
The fear of such agency is depicted in films such as The Wasp Woman and The Brain That Wouldn’t Die.

Sexuality was so linked to destruction that the new two-piece swimsuit, called the bikini after a site of atomic testing, Bikini Atoll, and women of great sexual desirability were called “bombshells” or “dynamite”.

Female sexuality was therefore linked to the nuclear age and atomic danger. Women were seen as a potential threat to the stable American family if permitted

Donna Maria Alexander

“‘God Hates Fangs’: Southern Stereotypes in the Opening Credits of True Blood”

True Blood‘s title sequence was nominated for an Emmy and situates the series in the Deep South of the United States.

A binary between sexuality and religion is established in the sequence.

“a docu-style assemblage of footage would give us the rawness and impact we were after”- creative director, Matt Mulder.

The implied realism is inconsistent bar scenes were filmed in Seattle and the church scene in the montage was shot in Chicago.

Therefore, while the opening montage aims to show the authenticity and originality of the South, the fact that much of it was created elsewhere calls the montage’s integrity into question.

 

Flicka Small

“Mad Men: The Deviations of Don Draper and Leopold Bloom”

Both Draper and Bloom work in advertising, are deviants, and have to wrestle with the issues of fatherhood, sexuality and their marital relationships.  Both characters create new names and identities for themselves, and go to great lengths to hide and protect their secret lives.

What they both have to say about advertising is rather revealing about their own beliefs and experiences.

Their advertisement rhetoric reflects their unhappy home lives, and both evaluate the world through their profession.

Categories: Bookends 2012, film, postgraduate conference, School of English, University College Cork | Tags: , , , , | Leave a comment

Bookends 2012 Opening

Michael Waldron and Donna Alexander open the conference.

This year’s theme of ‘deviance’ was inspired by Joan Collins in Dynisty and by the cover illustration for the novel Psycho 2.

 

(http://vintagegal.tumblr.com/post/17645930850/cover-illustration-for-psycho-ll-by-robert-bloch)

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The Deviants are gathering…

¡Hola guapos! The wait is nearly over. The Deviants are gathering, and the cotton is high! BOOKENDS VI: DEVIANCE is but a day away. So whip out your gladrags and hitch your wagon to a star… We’re back!! 

 

Bookends VI: Deviance

 

Off the record, on the QT and very hush-hush!

The Bookends Team

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By the pricking of my thumbs, a deviant exhibition this way comes!

Here at Bookends we are simply overjoyed at the prospect of hosting not one but two of the School of English’s creative cats!! So join us at 11:30am on Thursday 31 May in ORB 1.32 for some exhibitionist excellence in the shape of Nicola Moffat’s artworks and James Cummins’ poetry. We are also delighted to note that Prof. Graham Allen has generously agreed to chair what looks set to be a truly stimulating addition to the Bookends VI: Deviance programme of events. So please, be our guest…

 

Exhibitionists!
11:30am, Thursday 31 May, ORB 1.32

 

See how it fits into the Conference Schedule!

 

Off the record, on the QT and very hush-hush!

The Bookends Team

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Honey, I put up the Abstracts (just to whet your collective appetites)

Vampires! Bad Boys! Scarlet Women! Mad Plastic Surgeons! Exhibitionists! Outcasts! Renegades! Scopophiles! galore!!!!

 

Here they are, so feast your eyes on the gorgeous Abstracts 2012!

 

Off the record, on the QT and very hush-hush!

The Bookends Team

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Provisional Schedule (may be subject to deviations)

BOOKENDS VI: DEVIANCE

Are you a deviant?

 

 

 

WEDNESDAY 30 MAY                         ORB 1.32

 

 

10:00-10:15     Opening Address

 

10:15-11:15     S£X $€LL$    

Chair: Dr Deborah Mellamphy

Miranda Corcoran: “Atom Age Vampires: Deviant Women and Sexual Containment in Atomic Age Cinema”

Donna Maria Alexander: “‘God Hates Fangs’: Southern Stereotypes in the Opening Credits of True Blood

Flicka Small: “Mad Men: The Deviations of Don Draper and Leopold Bloom”

 

11:15-11:45     Break

 

11:45-12:30     RENEGADES!

Chair: Nicola Moffat

Mark Kirwan: “Not the National Inquirer: The Quirks of John Banville as Benjamin Black”

James Cummins: “‘i have killed poetry’: Tom Raworth’s obsession”

 

12:30-14:00     Lunch 

 

14:00-15:00     TABOO!

Chair: Gwendolen Boyle

Edel Mulcahy: “‘Of swiche cursed stories I sey fy’: Incest and its consequences in Middle English Exempla”

Niall Heffernan: “Bad Boy Bubby: Deviant or Innocent”

Kate Kirwan: “Hester Prynne: Sexual Deviant”

 

15:00-15:15     Break 

 

15:15-16:15     PLENARY

Chair: Michael Waldron

Dr Leonard Madden: “The Deviant Book: Reading, Temptation, and Carnality”

THURSDAY 31 MAY                    ORB 1.32

 

 

10:00-11:00     OUTCASTS!

Chair: Miranda Corcoran

Niall Flynn: “Changing Spaces in The Skin I Live In

Katie Ahern: “Changing Names and Identities in Louise Erdrich’s The Antelope Wife

Cian O’Mahony: “Ralph Knevet and the deviant role of a liminal author”

 

11:00-11:30     Break 

 

11:30-12:30     EXHIBITIONISTS!

Chair: Prof. Graham Allen

Caterwaul: An Exhibition by Nicola Moffat

A Poetry Reading by James Cummins

 

12:30-14:00     Lunch 

 

14:00-15:00     SCOPOPHILIA!

Chair: Katie Ahern

Ian Murphy: “Looking closer: haptic visuality and embodied spectatorship in Vendredi soir

Kirsty March: “A Digital Tour of the Royal Abecedarian Prayer”

Michael Waldron: “Painting with Words, Playing with Form: Elizabeth Bowen’s Linguistic Deviations”

 

15:00-15:15     Break

 

15:15-16:15     PLENARY

Chair: Donna Maria Alexander

Dr Bairbre Walsh: “Claude McKay: Deviant Renaissance Man”

 

16:15-16:30     Closing Address

 

17:30                Book Launch in Staff Common Room, North Wing

New publications from Dr Heather Laird and Dr Kenneth Rooney

 

20:00                After-Party in Bodega, Cornmarket Street

Post-conference tapas (and quite possibly tap-dancing) to toast away those Referendum blues!

Categories: Bookends 2012, postgraduate conference, School of English, University College Cork | Tags: , , , | Leave a comment

Announcing: The Annual Bookends After-Party!

“Any time you got nothing to do – and lots of time to do it – come on up.”

Mae West

Release your inner butterfly!

We at Bookends are super pleased to announce that the 2012 edition of the (by now legendary!) conference after-party is set to rock your world at 8pm on Thursday 31 May in the salubrious Bodega bar and restaurant on Cornmarket Street.  A menu of gorgeous tapas delights (see below) is set at the reasonable sum of €10 per person. All are welcome.

 

Menu

Clonakilty Black Pudding with apple and cinnamon chutney.

Smoked Salmon, Cream Cheese & Spinach rolls.

Pork & pepper Sausages with a red onion, honey & mustard salsa.

Cork spiced Beef & Horseradish mousse on Treacle bread.

Mini Spanish Tortilla with al-ioli.

Table water biscuits with Red Cheddar & homemade tomato relish.

All served with breads, potato salad & mixed leaf salad

 

 

For those of you interested (and who wouldn’t be!) in partaking in what is surely the social event of the millennium please register your intent with us at uccbookends@gmail.com by Friday 25 May. All monies can be dropped into ORB 1.77 (Computer Room) or ORB 1.64 (Tutors’ Office) where Donna, Mike (and quite possibly the late great Mae West) await you!

 

“He who hesitates is a damned fool.” — Mae West

 

Off the record, on the QT and very hush-hush!

The Bookends Team

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